I was invited to sing for the first WhoLah party organized by Carrefour. Basically, it’s an iPhone/iPad app you can download, connect with your Facebook, and you can play the guessing game (matching names to faces of friends on your Facebook) and score actual prizes that you can claim over at Carrefour.
Thanks guys for having me appear at your party! I sang with this awesome band, Thing One, and did Stevie’s “Lately” and Chaka’s “Through The Fire”. How appropriate my man Altimet was in the crowd and tweeps teased that I sang the song for him, in the midst of his “Malaysian Boy” Kanye Controversy. Trust me, publishing and copyright law is simpler than it seems! All the pictures are uploaded to my Facebook. Look out for the WhoLah app at your friendly app store.
I produced this song, and we’re launching it big soon! Keep a look out, and Like him on Facebook: http://www.facebook.com/hyrulanuar
Went to see Adil play at the Esplanade when I was back in Singapore for Raya. He was dressed in a Baju Melayu with chapal, and served pineapple tarts to the audience. Awesome atmostphere and the songs were appropriate for the setting. Can’t wait for his first single out on Malaysian radio soon. Good luck Adil!
There’s Ridwan Ajmain’s children: Natasha, Farhana, Hisyam, Nabilah, Firdaus (not pictured: Raudhah), Muhammad Ajmain’s son Syarifuddin (not pictured: Asyraf who is in China), and the eldest here arwah Johan Ajmain’s daughter, Norhayatee (not pictured: Sulastree, and Khalid). Cousins not pictured are the children of Jamsyid Ajmain in Ipoh, Malaysia (Dzul, Zarina, Suraya, Dzachary), the children of arwah Abdul Jalal Ajmain (Shaharuddin, Suzana) the children of arwah Nuraini Ajmain, one is my bestfriend; Hidier, one is Rizal, and Halimatul Saadiah in New York! Much love to Kak Yaya and my sister in the Netherlands! Sorry you guys missed this!
Awesome! Hope to work with them one day.
by Imran Ajmain
1) Don’t give up your full-time job
If you’re singing at night clubs and trying to break into the pop commercial scene, that is going to prove tough as it can be a little sensitive for the audience made up of young impressionable people and their conservative mothers. If you have a day-time job, stick to it. If you’re still a student, study hard, get good grades and work your way to save up for your recordings. Right now, it’s the only way to sustain your interest in being a singer because shows in Singapore pay peanuts, and if you’re really good at what you do, mental note, the award shows don’t give out prize money. Reality check.
2) Record Radio Friendly Songs by Familiar People
Enough with the Ziana Zain covers. Even Ziana Zain don’t sing her own songs from the 90s anymore.
a) TV and Radio has put together dozens of songwriting contests for the past half a decade. If you don’t write your own songs, that is, find the award-winners on Facebook. Highly likely, they’d be able to get you a decent pop song and recommend you arrangers and studios where you could put it down in a recording.
b) Flip through the album sleeves of the better local albums. Find out who wrote your favourite local songs, who arranged them, and who produced them. Contact those people, find out how much it costs, and get it done.
c) Most arrangers/producers charge around the same amount. Insist on paying. A song recorded for free will not bind the musician to your ambition of going far in this line. They need to recognize your talent and understand that it might also help them in the long run. You pay them, expect a good job. If you don’t pay them, can you blame them when they go missing or give you half-baked goods? Always work with a producer. It’s too big a job to do yourself, especially at first go.
d) If you think its a good song, it might not be, after all. Ask for a 2nd, 3rd, and 4th opinion. The more brutally honest the critique becomes, the more likely it is true. Accept them with a pinch of salt, especially if you did everything yourself. Choose your song(s) well. Do it all over again if you need to. But don’t dwell on it.
e) And when somebody offers you a recording contract, you might get a song or an album done but that does not guarantee you that radio will play your songs, that you will get shows, or that the album will get promoted at all. It’s an entirely different story. My take: Do it yourself.
3) Make Friends With the Media, Whether They Like You or Not
There are only 2 radio stations, 3 lifestyle magazines, 2 television stations, and 1 newspaper in the Malay community. All this is necessary to get yourself known to the public. It can be too many or too little, depending on how you see it.
Not everybody will like you or your music, but not everybody will hate you either. If you’re having a hard time to break into the scene, it is easy to take it personally considering how small the community is. But when you’re new, just suck it in and go with the flow. If you’ve collected some accolades, you can choose to speak your mind, but be prepared for no reaction. It will keep you thinking and wanting to do more creative work. You will realize you can only speak through your art therefore you should keep doing it.
Rezeki can be found anywhere, nobody controls your ricebowl. Stop blaming others for your pitfalls. If they don’t like your first song, try again (and again, and again, and again).
4) Is A Music Video Necessary? If not, What is?
For your Facebook friends to unconditionally click Like, yes. But to spend money, time and effort on an actual music video, without knowing where to send it, or how to get returns from it, I say no. Not for a newbie. Organize mini-showcases regularly and build a fan-base. You can record that and put it online instead. You can earn from ticket sales, sell your CDs there, and get a chance to get better at what you do. Do it often. Make sure all your friends and family come down to support, the same way they would and should unconditionally Like your video on Facebook.
5) Aim Higher, Much Much Higher
Being a Singaporean-Malay artiste can sometimes limit you to the cabaret style TV variety shows, small-paying but plentiful Hari Raya engagements and awkward community centre gigs. If that is what you’re dying to do all your life, then I’m sorry, that is all there is for you. This is what you need to do to achieve better.
a) Speak better, both in Malay and English.
b) Representing yourself better (that means, dressing better, stop with the emotional Twitter updates and the youth-gone-wild Facebook pictures).
c) Avoiding negative people who keep telling you that you can’t make it in this line or you can’t do it in Singapore. The sacrifice kicks in when those people happen to be the ones you love.
d) Get to know industry people and keep asking questions.
e) Send your profiles to event organizers outside of the circle. Perform for corporate dinners, award shows, and send your songs to production houses to use for in television dramas.
f) Find out how you can take part in international festivals abroad.
e) Find out what an artiste manager does, and appoint your most trusted friend to do the job. It might be temporary, and you might learn more from it than your friend will. So just apply that knowledge to the next candidate.
g) Keep believing that this path was made for you no matter how big the hurdles are and how painful its obstacles can be. It is easy to give up when there isn’t anything to look forward to. So most importantly;
h) Create your own opportunities, do not wait for them to fall from the sky. Because, sweety, its not going to happen that way. Not for many of us, anyway.
Earlier this year I produced this song written by Hafiz Hamidun & Ad Samad, then was the Producer for this music video for Hydir Idris’ song “Kasih Belum Termiliki”. This boy has got huge vocals, and this song suited his evergreen/oldies style. Do share the video on your blog or FB wall.
I had the great opportunity to speak at Dunearn Secondary School recently. Here’s a video of me singing “Seribu Tahun” in English in a conversation explaining the thought process of writing in Malay versus writing in English. Thank you to Sharuzshasha for the video.
Last year I had the wonderful experience of producing, writing and composing this Raya tune for Aaron Aziz’s directorial/advertisement gig on Singapore television. Wrote it with Faliq Aizad and Alyph from Sleeq, with music from the Noisy Bunch. It was a blast! You can check out the trailer for this year’s video here. I’m not in it, but it features the likes of Fauzie Laily, Daly Filsuf, Sleeq, and Zizan Raja Lawak.
Thanks for the opportunity Aaron & Diyana! This year’s song is done by Sleeq.
This was from Azwan Ali’s phone when he quickly asked us to gather. We were all seated together during the recent taping of Melodi Raya at Putra World Trade Center for TV3. Faradhiya, Ifa Raziah, Fazli Zainal is also pictured above. Excuse the blurred image.
You can check out the others who attended the event here as chronicled by RotiKaya.
Had an event in Kota Kinabalu, Sabah. Sang, ate, laughed, and then the next day, hit the radio stations. SuriaFM has recently launched a Sabahan frequency with programmes in dialect. We were reunited with Farish Aziz from our Hero Malaya clan and me with Rey who did the Suria (MediaCorp, Singapore) + RTM Hari Raya show a few years back with me. Later on, we visited KKFM. Missed the chance to meet Alvin from Infinatez who is also a presenter there now.
Had monster cockles for buka puasa, and was back in KL soon after. The last time I was in Sabah was when I did the Borneo tour with Aliff Aziz, Adam, Diddy, Farawahida and Erna. I’ll look up the pics! For the recent pictures, look up my Facebook.
The song “Macam Di KK” by Janrywine, a local musician there, was playing everywhere all day! Made me think about how songs about Singapore are mostly sung leading up to National Day. Time to change that.
p/s: Independent radio rocks!
So here are the bloopers that I promised you. While the film crew was shooting at my place for Glamor Raya, a Ramadhan Special on Singapore’s Suria Channel, I was recording using my MacBookPro which was used as a prop as well. Here’s what happened!